Production Crews

Whether you need a single camera operator for a few hours, or team of camera operators and soundmen for a multi-camera shoot, we have you covered. We work with the most talented crew in the valley to give you the best possible quality product.

Camera Operator Package

  • Cinematographer/Camera Operator
  • Arri Light Kit
  • Sennheiser G2 Wireless kit
  • All tapestock is included

With JVC HD100 Camera (SD or 720p HDV Recording):
$950/day (10 hours), $650/half-day (5 hours), $150/hour (2-hour minimum)

Rate with XDCam HD F330 Camera (1080p Recording)
$1200/day (10 hours), $750/half-day (5 hours), $200/hour (2-hour minimum)

Cinematographer/Director of Photography - Webb Pickersgill

There are times when a production simply needs a creative, effective, and experienced cinematographer or a director of photography. In these cases, usually all of the gear including the camera package, grip, lights, audio, etc are already being provided by the production. In these cases, Bassline Digital can simply provide the DP/Cinematography services to your production. What is the difference between a cinematographer and a DP?

Director of Photography: Directs the grip, lighting, and camera crew to "paint the frame" within the vision of the director. Typically, a DP will stay by the Video Village to monitor each take to ensure all departments are executing this plan to perfection.

Cinematographer: Directs the grip and lighting crew to "paint the frame" within the vision of the director. A Cinematographer will operate the camera, and is primarily responsible for executing the motions responsible for capturing the shot.

Rates: $600/day (10 hours)

Field Audio Mixer (Soundman)

  • Soundman
  • Sound Devices 302 Field Mixer
  • Sennheiser ME66 Shotgun Mic
  • 2x Sennheiser G2 Wireless Kits
  • Boompole, Zeppelin, Long-Hair Windjammer

Rates: $650/day (10 hours), $400/half-day (5-hours)

Steadicam Operator

The unique design of the Steadicam allows you to move the camera as freely as handheld shots, while producing smooth shots typical of a dolly or jib.

Steadicam ProVid 2+ Rig

  • Dual iso-elastic support arm
  • Daylight-visible CRT monitor
  • 12v sled
  • Low-mode mount
  • Adjustable post length
  • Anton-Bauer brick mount
  • Supports up to a 25 pound camera

Rates: $800/day (10 hours), $500/half-day (5-hours)

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